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[H1] Introducing

Octamini 50 and Diffuser to Focus 110 umbrella
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[H1] A fashion shoot above Shanghai

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© Sails Chong

[H1] The beginning of light

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© Martha Suherman

[H1] How to: Precision in black

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© Aquilino Paparo

[H1] New eBook

Compact knowledge of flash photography
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[H1] Meet Stelos

Make the world your studio
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[H1] RFS 3

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[IMG: Stelos rechts Webseite]

[H3] Stelos 800 L

Stelos - Make the world your studio
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[IMG: 31 070 XX Satos 1600 bare]

[H3] Satos 1600 J (bare)

Satos 1600 J - Master any photographic challenge
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[IMG: 31 071 XX Satos 3200 bare]

[H3] Satos 3200 J (bare)

Satos 3200 J - Master any photographic challenge
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[IMG: Pulso l freisteller links]

[H3] Pulso L 3200 J

The Pulso L features bidirectional communication with Satos, allowing for easy and direct adjustments of flash energy, colour temperature, modelling light, Cognition light, and test triggering.
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[H2] Recent Stories
Get inspired, discover photographers' stories, behind the scene and their secrets.

[IMG: Cesar oliveira octamini 1]

Inspiration

[H3] Freezing downhill action with the Octamini 50
The main challenge of this shooting was freezing the action of a downhill bike at high speed while still preserving the natural atmosphere of the forest. We wanted to create true action shots while maintaining depth and presence in the environment.

[IMG: Dariane sanche octamini featured 2]

[H3] A Fashion Beauty Photoshoot Between Nature and Architecture
For this project, we envisioned a fashion beauty photoshoot in a setting that blended nature with contemporary architecture.

[IMG: Jeroen nieuwhuis stelos 13]

Inspiration

[H3] Swinging between light and dark
When the team from Switzerland asked me to test the new broncolor Stelos, I knew I wanted to take it to the streets of Berlin. I teamed up with the charismatic jazz musician David Hermlin, and together with my team we set out to see what this light could really do.

[IMG: Brazzi Floating in the Mist 2 zu 3]

Inspiration

[H3] Floating in the mist
This was one of those projects where everything comes together - the idea, the person, and the moment. I worked with Rokas Magic (Rokas Bernatonis), a Lithuanian magician known both locally and internationally, with several Guinness World Records. He creates magic through his performances, and my goal was to translate that into a visual image.

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[H2] Learn more and develop yourself as a professional photographer

Lighting plays a crucial role in both studio photography and on location photography.For this purpouse, we have compiled a large series of Tuturials and "How to" to help you learn professional photography secrets.

[IMG: Martha Suherman Swargaloka 1 zu 3]

Inspiration

[H3] Shaping emotion with light
In music-driven visual storytelling, light is more than illumination – it shapes emotion, atmosphere, and narrative depth. This philosophy came to life in Swargaloka, a studio-based music clip and photo production created in collaboration with one of Indonesia’s most renowned musicians, and visually directed by Martha Suherman.

[IMG: AP sculpting the dark 1 zu 3]

How to shoot this image

[H3] How to: Sculpting the dark
When I photograph dark, highly detailed objects, I don’t think in terms of adding light – I think in terms of shaping it. With a technical camera, every surface matters: the bellows, the metal edges, the glass. My goal is to control exactly what becomes visible and what stays in shadow.

[IMG: Petri Anttila How to 2 zu 3]

How to shoot this image

[H3] How to: Capturing zero-gravity spirits
Whisky photography usually leans toward dark, moody libraries and leather chairs. For this project, however, we wanted to break away from tradition and create a high-energy, “exploding” composition.

[IMG: HT e Commerce White 1 zu 3]

How to shoot this image

[H3] How to: E-commerce “white on white”
Poor image quality in e-commerce photography is often excused by time pressure: many products, little time. As a result, images are simply “brightened” – but rarely with any deliberate or controlled lighting. Yet it takes neither a large amount of additional equipment nor significantly more time to noticeably improve image quality. This example demonstrates how a clean, controlled, and high-quality result can be achieved with only minimal extra effort.

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[H4] Develop your knowledge about light

All you need to know about light! Follow explanations from our in-house photographers and learn to master the light. Get inspired and understand the secrets behind each shot.

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[H3] Where to buy or rent broncolor?

[H4] Find a broncolor partner near you

Wondering where to buy or rent broncolor? Our nearby distributors, dealers, rental shops, and studios are happy to help you.

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[H4] Get answer to your questions

Looking for specific information? We built a section especially for you.FAQ, Download and nearby Repair Centers: look no further.

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[H1] Products
Create your own lighting solution for professional photography, videography or digitization projects.

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the world your studio

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[IMG: Octamini main]

[H3] Octamini 50

Ultra‑compact octabox with broncolor speedring, extremely fast setup, and exceptionally soft light. Ideal for mobile outdoor and on‑location shoots
Details

[IMG: Diffusor focus]

[H3] Diffuser to Focus 110 umbrella

The outer diffuser transforms the Focus 110 into a softbox, prevents lateral light spill via a drawstring, and reduces light output by approximately one stop – two light shapers in one.
Details

[IMG: Stelos Ladegerät und Länderadapter Webseite]

[H3] USB-C charger 140 W

Very compact USB-C charger with up to 140 W power output.
Details

[IMG: Stelos wide angle reflector D120mm Webseite]

[H3] Wide angle umbrella reflector Ø 120 mm

This high-quality aluminium reflector scores with its extremely small pack size and wide beam angle.
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[IMG: Stelos Protecting glass matt Webseite]

[H3] Protecting glass matt for Stelos

Matt protective glass for even illumination.
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[IMG: Stelos Ladekabel Webseite]

[H3] USB-C cable 3m

Durable USB-C cable with a length of 300 cm.
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[IMG: Stelos Battery Webseite]

[H3] Li-Ion battery 28 V V-Mount

The 88Wh Li-ion battery weighs just 590 g (1.3 lbs) and allows more than 300 flashes at full power per charge.
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[IMG: Stelos rechts Webseite]

[H3] Stelos 800 L

Stelos - Make the world your studio
Details

[IMG: Stelos Inspiration Kit]

[H3] Inspiration Kit with 2 Stelos 800 L

Unleash your creativity with the Inspiration Kit, a complete lighting solution designed for photographers who demand flexibility, power, and precision on every shoot. Whether you're working in the studio or on location, this kit equips you with two Stelos and everything you need to shape light beautifully and precisely.
Details

[IMG: Stelos Pro Kit]

[H3] Pro Kit with 3 Stelos 800 L

Step up your lighting game with the Pro Kit – the ultimate monolight solution for professional photographers who need even more flexibility and even more creative options . With three Stelos, a wide range of light shapers, 3 batteries, and robust stands, this kit is built for demanding shoots in the studio or on location.
Details

[IMG: RFS 3 product image website]

[H3] RFS 3C transmitter (Canon)

The broncolor RFS 3 is an extremely compact and lightweight (48g / 0.106 lbs) flash trigger. It impresses with its precise and high-contrast, full-colour OLED touch display, stylish design, High-Speed-Sync (HSS), and effortless operation.
Details

[IMG: RFS 3 product image website]

[H3] RFS 3N transmitter (Nikon)

The broncolor RFS 3 is an extremely compact and lightweight (48g / 0.106 lbs) flash trigger. It impresses with its precise and high-contrast, full-colour OLED touch display, stylish design, High-Speed-Sync (HSS), and effortless operation.
Details

[IMG: RFS 3 product image website]

[H3] RFS 3S transmitter (Sony)

The broncolor RFS 3 is an extremely compact and lightweight (48g / 0.106 lbs) flash trigger. It impresses with its precise and high-contrast, full-colour OLED touch display, stylish design, High-Speed-Sync (HSS), and effortless operation.
Details

[IMG: RFS 3 product image website]

[H3] RFS 3F transmitter (Fuji)

The broncolor RFS 3 is an extremely compact and lightweight (48g / 0.106 lbs) flash trigger. It impresses with its precise and high-contrast, full-colour OLED touch display, stylish design, High-Speed-Sync (HSS), and effortless operation.
Details

[IMG: RFS 3 product image website]

[H3] RFS 3L transmitter (Leica)

The broncolor RFS 3 is an extremely compact and lightweight (48g / 0.106 lbs) flash trigger. It impresses with its precise and high-contrast, full-colour OLED touch display, stylish design, High-Speed-Sync (HSS), and effortless operation.
Details

[IMG: 36 199 99 Stapelhülse]

[H3] Accessory set for stacking the charging station for up to 4 slide-in batteries

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[H1] Learn
Learn from professional photographers and discover the best way to use broncolor products thanks to BTS. The vast choice of photography tutorials is completely free!

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186 Results in All Learn Stories

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[IMG: Das Licht im Eis Hero 2 zu 3]

How to shoot this image

[H3] How to: The light in the ice
“The light in the ice” transforms an iconic bottle into a sculptural object, frozen in a clear, crystalline atmosphere.

[IMG: AP Precision in black 1 zu 3]

How to shoot this image

[H3] How to: Precision in black
Precision in Black is about transforming a technical object into a sculptural presence that appears to float within darkness. In this approach, black is not treated as empty space but as an active visual field in which light becomes a structural element.

[IMG: HT e Commerce White 1 zu 3]

How to shoot this image

[H3] How to: E-commerce “white on white”
Poor image quality in e-commerce photography is often excused by time pressure: many products, little time. As a result, images are simply “brightened” – but rarely with any deliberate or controlled lighting. Yet it takes neither a large amount of additional equipment nor significantly more time to noticeably improve image quality. This example demonstrates how a clean, controlled, and high-quality result can be achieved with only minimal extra effort.

[IMG: Petri Anttila How to 2 zu 3]

How to shoot this image

[H3] How to: Capturing zero-gravity spirits
Whisky photography usually leans toward dark, moody libraries and leather chairs. For this project, however, we wanted to break away from tradition and create a high-energy, “exploding” composition.

[IMG: AP sculpting the dark 1 zu 3]

How to shoot this image

[H3] How to: Sculpting the dark
When I photograph dark, highly detailed objects, I don’t think in terms of adding light – I think in terms of shaping it. With a technical camera, every surface matters: the bellows, the metal edges, the glass. My goal is to control exactly what becomes visible and what stays in shadow.

[IMG: Suzy 2 zu 3]

How to shoot this image

[H3] How to: Unconventional portrait with an unorthodox light shaper
We had Suzy in our studio. At first, we realized so-called pay-shots, but afterward we wanted to experiment with unconventional styles, light directions, and shapers. Our choice was the Litepipe P, mounted on the Stelos compact unit.

[IMG: How to mixed light 2 zu 3]

How to shoot this image

[H3] How to: Photographing with mixed light
In this image, the focus was on creating dynamics through intentional motion blur while keeping the model Mia perfectly sharp.

[IMG: Urs recher stelos cover]

How to shoot this image

[H3] How to: Create still life stories in nature
We set out to capture the delicate beauty of mushrooms in their natural environment, transforming the forest floor into a miniature studio. Using the broncolor Satos paired with three Picolites, precise, controlled lighting that highlighted the intricate textures and earthy tones of each subject was achieved, without disturbing the scene’s organic feel.

[IMG: Mael 1 zu 3]

How to shoot this image

[H3] How to: artificial light - natural look
A popular stylistic device in location photography is to visually separate the subject/model from the background using photographic means. This can be achieved through long focal lengths and wide apertures (as in fashion photography), or through the deliberate use of artificial light, as shown in this example. The focal length here was only 40mm, so a shallow depth of field was not possible – even with an open aperture of 2.8.

[IMG: Almaty portraits 2 zu 3jpg]

How to shoot this image

[H3] How to: One face – six lights
The chemistry between photographer and model is, alongside outfit, styling, and makeup, certainly one of the crucial factors in a (beauty) portrait. But even—or perhaps especially—with lighting, a face can be interpreted in many different ways. This is demonstrated here through six different portraits, all taken within just a few hours during a lighting seminar in Almaty, Kazakhstan. Makeup and hair remained unchanged; only the model’s top was changed. And the lighting!

[IMG: RFS3 2 zu 3]

How to shoot this image

[H3] How to: photographing an RFS 3
Photographing an object the size of a matchbox in a controlled way is not trivial. Adding a shiny and self-illuminating display doesn’t make things any easier either — but let’s take it step by step: Insights into broncolor advertising photography for the new RFS 3 flash trigger.

[IMG: Oelpainting 2 zu 3]

How to shoot this image

[H3] How to: photographing an oil painting
In various photography training programs, reproduction seems to be one of the simplest exercises: two lights at 45° from both sides, equal power, and done. This may work for printed, flat, and unframed subjects. However, for anything more complex (art in a frame, textured media such as watercolors, reflective surfaces, and three-dimensional art objects like collages), it makes more sense to apply lighting techniques from product photography rather than rigidly following the reproduction formula.

[IMG: Ceramic 2 zu 3]

How to shoot this image

[H3] How to: Ceramics in the spotlight
Objects of cultural heritage are often displayed in museums on small stages under a dominant spotlight, which helps isolate them from overcrowded and chaotic environments. This lighting effect was recreated here in the studio.

[IMG: 2 Bremont Watch Thumbnail featured]

How to shoot this image

[H3] How to: Photographing a watch
Jonny Wilson is a UK-based product photographer with a particular passion for capturing watches. Each piece he photographs stands out for its uniqueness, presenting him with diverse and demanding challenges that he masters with exceptional skill and creative precision.

[IMG: Einhell final featured]

How to shoot this image

[H3] How to: Show the aesthetic side of a work tool
Craftsman's tools do not always have to be photographed only as work equipment, but can also be shown in their aesthetics. The lighting is crucial here and requires a lot of work on the details.

[IMG: VARTA 1 zu 3]

How to shoot this image

[H3] How to: Photographing a flashlight
When photographing shiny objects, it is advisable to spend enough time at the beginning positioning and aligning the object and camera. If you notice too late that the object should be rotated by a few degrees, you may need to start over with the lighting setup.

[IMG: How To Taschenuhr 1 zu 3]

How to shoot this image

[H3] How to: Photographing a pocket watch
For online sales platforms or auction catalogs, multiple products in various variations and positions need to be documented quickly. As an alternative to purely diffuse lighting solutions offered on the market (light tents, cones, and cubes), this setup demonstrates a quickly adaptable set with two lights.

[IMG: How to Ivana schlägt ein hero 2 zu 3]

How to shoot this image

[H3] How to: Ivana hits the mark
On a hot summer's day, we photographed the Swiss long jumper Ivana Stausberg outdoors in less than ideal lighting conditions in a series of three consisting of take-off, flight phase and landing.

[IMG: David Lund Broncolor 22]

Inspiration
About Light

[H3] Supporting young talents at broncolor
At broncolor, the active support of young photographers is a high priority. In addition to developing and manufacturing first-class lighting solutions for established photographers worldwide, we ensure that fresh ideas and innovative approaches flow into our company and the photography and lighting industry by supporting young talent.

[IMG: Fabien babault 1920x580px]

How to shoot this image

[H3] How to: Tae-Kwon-Do
We had the pleasure of photographing Fabien Babault, a top French Tae-Kwon-Do fighter. For this purpose, we organized a permit from the city of Paris and installed ourselves on the Pont des Arts.

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[H1] What are broncolor lighting Solutions?

© Manuel Mittelpunkt

[H2] A way to help you tailor your own lighting solution.

We have prepared some product bundles for you to help you select and learn about specific products.
Please note that a bundle is not a kit.
A kit contains a fixed number of articles and is sold as one product.
A bundle is a product selection for a specific application. A bundle is completely customizable as each product is treated separately. You can thus add or remove every product from the proposed bundle.
Feel free to start a conversation with us so we can better help you tailor your very own lighting solution.

[H2] Discover broncolor lighting solutions

[H1] Ecommerce photography

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[H1] Commercial photography

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© Nils Wilbert

[H1] Cultural Heritage Photography

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[H1] Outdoor photography

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© Jeroen Nieuwhuis

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