LEE Filters
(https://leefilters.com) 📸 Data Snapshot: May 27, 2026
Information Density — The Lens
Classify each sentence as substantive or hollow. Grounding markers — numbers, currencies, dates, technical units, named entities — outweigh marketing adjectives. When fluff sits right next to hard evidence, the fluff is forgiven.
Info Density
Power-words vs. Substance ratio.
25
Impact Weight: 30 / 100
83% Reputation
Information density is exceptionally high. Instead of vague promises, the site lists specific technical data such as ‘Converts daylight (6500K) to tungsten (3200K)’ and exact filter sizes like ’67mm, 72mm, 77mm & 82mm.’ The body substance ratio is dominated by SKU-level descriptions and specific use cases for set lighting and cinematography.
Information Density is read straight from the body copy: how much of the text carries grounded, checkable substance versus hollow filler. Below is the clean text the engine analyzed, then the industry’s known generic-claim patterns to weigh it against.
📝 The Narrative — clean text per page (the substance-vs-filler signal)
HOMEPAGE (https://leefilters.com) LEE Filters | Masters of Light – A Panavision Company
[H2] Colour effect filters We know colour better than any of our competitors. Our high-quality lighting filters are available in a vast range of colours to ensure you can create the perfect shot. Made in the UK, our filters are consistently accurate, long-lasting, and dependable. Browse the filter colours in our range by clicking on our digital swatches. Explore colour descriptions and read their specifications. Build your own colour collection and download a personalised PDF with your selected colours to keep handy. Learn more about our filter colours 170 Deep Lavender [H3] 170 Deep Lavender Great for set lighting, discos and theatres. 170Add 136 Pale Lavender [H3] 136 Pale Lavender Great for pantomimes and ballroom sets. Also enhances dark skin tones in follow spots. 136Add 169 Lilac Tint [H3] 169 Lilac Tint A pale lavender. Good for almost white light with a cool tint. 169Add 702 Special Pale Lavender [H3] 702 Special Pale Lavender A cold lavender when used with a full tungsten source, but warms as the source is dimmed. Good as a fill for slow sunset fades. 702Add 137 Special Lavender [H3] 137 Special Lavender Good for moonlight and musical / romantic scenes. Enhances skin tones. 137Add 194 Surprise Pink [H3] 194 Surprise Pink Good for musicals. 194Add 058 Lavender [H3] 058 Lavender An excellent backlight that creates a new dimension. 058Add 180 Dark Lavender [H3] 180 Dark Lavender A pleasing effect for theatrical lighting and backlighting. 180Add 343 Special Medium Lavender [H3] 343 Special Medium Lavender Good for theatre and T.V. effect lighting and backlighting. 343Add 700 Perfect Lavender [H3] 700 Perfect Lavender In-between 170 Deep Lavender and 345 Fuchsia Pink, and is good for backlighting and romantic atmospheres. 700Add 181 Congo Blue [H3] 181 Congo Blue Looks like black light when used with a fluorescent source. Great effect colour. Very saturated. 181Add 707 Ultimate Violet [H3] 707 Ultimate Violet Used in musical performances for general colour washes and set lighting. 707Add 706 King Fals Lavender [H3] 706 King Fals Lavender A cold lavender. 706Add 071 Tokyo Blue [H3] 071 Tokyo Blue A deep blue, used for midnight scenes and cyclorama lighting. 071Add 713 J.Winter Blue [H3] 713 J.Winter Blue A very dark blue with a high UV content. Good when used in high concentrations for a moody and powerful stage colour wash. 713Add 710 Spir Special Blue [H3] 710 Spir Special Blue A cool industrial blue. 710Add 198 Palace Blue [H3] 198 Palace Blue Good for dark moonlight or a romantic evening. 198Add 716 Mikkel Blue [H3] 716 Mikkel Blue A romantic blue to produce a night effect. 716Add 195 Zenith Blue [H3] 195 Zenith Blue Creates a good moonlight effect on a dark set. Also good for cycloramas. 195Add 715 Cabana Blue [H3] 715 Cabana Blue A deep blue that still has enough transmission to work encouragingly well on television. 715Add 723 Virgin Blue [H3] 723 Virgin Blue This is a pure blue, not too green and not too lavender, yet still feels warm for a blue with an early morning feel. 723Add 721 Berry Blue [H3] 721 Berry Blue Used in musical performances for rear colour wash or set lighting. 721Add 120 Deep Blue [H3] 120 Deep Blue A pleasing effect for theatrical lighting. 120Add 363 Special Medium Blue [H3] 363 Special Medium Blue Great for cool moonlight and mood effects. 363Add 085 Deeper Blue [H3] 085 Deeper Blue A deep warm blue. Good for back and side lighting. 085Add 119 Dark Blue [H3] 119 Dark Blue Good for mood effects created by backlighting and side lighting. Creates great contrast. 119Add 115 Peacock Blue [H3] 115 Peacock Blue A pleasing effect on set Good for cyclorama and backlighting (e.g. ice rinks, galas, etc). 115Add 327 Forest Green [H3] 327 Forest Green A deep green for sinister forest scenes, cycloramas and backlighting. 327Add 124 Dark Green [H3] 124 Dark Green Good for cycloramas and backlighting. 124Add 735 Velvet Green [H3] 735 Velvet Green A beautiful background colour. Victorian melodrama. A night time green. 735Add 323 Jade [H3] 323 Jade Used for underwater scenes, cycloramas and backlighting. 323Add 322 Soft Green [H3] 322 Soft Green A cool green used for gobo cover, pantomimes and cycloramas. 322Add 131 Marine Blue [H3] 131 Marine Blue Good for romantic moonlight. Often used in ballet and underwater scenes. 131Add 219 LEE Fluorescent Green [H3] 219 LEE Fluorescent Green General tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction. 219Add 241 LEE Fluorescent 5700 Kelvin [H3] 241 LEE Fluorescent 5700 Kelvin Converts tungsten to fluorescent light of 5700K (cool white/daylight). 241Add 728 Steel Green [H3] 728 Steel Green Approaching storms. Overcast days. Cold steely light. Malevolent moonlight. 728Add 504 Waterfront Green [H3] 504 Waterfront Green Designed for period key light and modern urban horizons. 504Add 730 Liberty Green [H3] 730 Liberty Green A good green for creating mystery and suspense. 730Add 242 LEE Fluorescent 4300 Kelvin [H3] 242 LEE Fluorescent 4300 Kelvin Converts tungsten to fluorescent light of 4300K (white). 242Add 768 Egg Yolk Yellow [H3] 768 Egg Yolk Yellow A bold strong chemical yellow, less orange/red than 179 Chrome orange. 768Add 179 Chrome Orange [H3] 179 Chrome Orange A combination of 1/2 CTO and double strength 104, perfect for sunlight. 179Add 020 Medium Amber [H3] 020 Medium Amber Good for afternoon sunlight and candlelight. Also great for side lighting. 020Add 770 Burnt Yellow [H3] 770 Burnt Yellow A colour that feels warm and dense on camera, a balance between 179 and 105. 770Add 105 Orange [H3] 105 Orange Good for light entertainment and functions. Creates a good fire effect when used with 106 or 104. 105Add 777 Rust [H3] 777 Rust A vivid rust colour effect. 777Add 652 Urban Sodium [H3] 652 Urban Sodium Used on tungsten to create the orange glow associated with Sodium light. 652Add 287 Double C.T. Orange [H3] 287 Double C.T. Orange Converts daylight (6500K) to tungsten (2147K). 287Add 286 One and a Half C.T. Orange [H3] 286 One and a Half C.T. Orange Converts daylight (6500K) to tungsten (2507K). 286Add 204 Full C.T. Orange [H3] 204 Full C.T. Orange Converts daylight (6500K) to tungsten light (3200K). 204Add 441 Full C.T. Straw [H3] 441 Full C.T. Straw Converts 6500K to 3200K – daylight to tungsten light with a yellow bias. 441Add 744 Dirty White [H3] 744 Dirty White Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a “dingy” effect like a smoky bar. 744Add 285 Three Quarter C.T. Orange [H3] 285 Three Quarter C.T. Orange Converts daylight (6500K) to tungsten light (3600K). 285Add [H2] Made for the big screen Our lighting filters have helped to bring some of your favourite films and TV shows to life. Our products are a favourite of professional cinematographers and photographers. See Film & TV Poster Projects [H2] The LEE camera range [H3] LEE Elements Find out more [H3] LEE100 Find out more [H3] ProGlass CINE IRND Find out more [H2] Inspiration starts here Take a tour of our gallery of images to discover how the world’s leading creatives are using filters designed to create the perfect image every time. View gallery [H2] Find your nearest dealer Dealer Locator
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SUB-PAGE · THIN (https://leefilters.com/lighting/) LEE Lighting Gels | Colour Gels for Lighting
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SUB-PAGE · THIN (https://leefilters.com/camera/lee-elements/) LEE Elements – The LEE Elements System from LEE Filters
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SUB-PAGE · THIN (https://leefilters.com/dealer-locator/) LEE Filters Distributors Worldwide | Find your local LEE Stockist
[H2] Find a dealer [H1] LEE Filters Distributors & Dealers Search for LEE Filters dealers and distributors worldwide including the UK, North America, Australia, Middle East, Asia and South America. Use our global database to find your nearest stockist. Just input your country and category (Camera Dealer or Lighting Dealer), then we’ll show all results for your region. You can also narrow results down further by entering your postcode. [H2] Buy LEE Filters Online: We also offer direct sales online in the UK, USA and Canada from LEE Filters Direct.
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🧭 Industry Context — common generic-claim patterns in Photography, Video & Creative Studios to weigh the text against
Generic Claims:
capturing your story, moments that last forever, award-winning photographer, creative vision brought to life, stunning visuals, unforgettable memories…
Red Flags:
portfolio with inconsistent styles suggesting multiple photographers, no pricing information at all, stock photos used in marketing materials, award claims without named awarding body, unlimited usage rights at suspiciously low prices, no contract or terms of service mentioned…
Semantic Drift Patterns:
portfolio shows one style but claims versatility in every genre, homepage positions as editorial but services are event coverage, claims commercial photography but portfolio is personal projects, premium positioning but pricing page reveals budget packages…
Proof Expectations:
portfolio with consistent body of recent work, specific equipment and technique information, named clients or publications with verifiable credits, real testimonials linked to specific projects, clear pricing or investment information, deliverable specifications and timelines…
Explore the other reputation pillars for LEE Filters
Analysis Disclosure & Source Attribution
This page presents a snapshot of public data from LEE Filters, captured on May 27, 2026, to show how machine logic reads Information Density signals into an AI reputation evaluation.
Purpose: This data is presented under “Fair Use” for the purpose of independent signal analysis, allowing readers to see the raw signals behind the reputation score.
Notice to LEE Filters: This analysis is part of a non-adversarial audit conducted by 1 Euro SEO. The results are intended as professional feedback to help improve any website’s machine-readability and authority signals. The evaluation is free, and any company can request a fresh audit at any time.
Any company can use the insights for free and improve its voice. When a company has updated its content, it can always submit a new audit request, which will be reflected in a new current score.
To all users: You are encouraged to visit the live site at https://leefilters.com to view the most current version of its content and see directly what this company is about and what it offers.