Pitt Rivers Museum
(https://prm.ox.ac.uk) 📸 Data Snapshot: May 24, 2026Pull the main entities out of the H1, then check whether they actually recur through the body. A page that announces one thing and then talks about another drifts. Headings with no real sentences underneath read as pseudo-substance.
There is virtually zero semantic drift between the homepage promises and sub-page delivery. The homepage H1 ‘Home’ and H2 ‘What’s On’ lead directly to current, dated programming such as the exhibition closing June 7, 2026. The claim of being a research center is substantiated by a Research page that lists over 40 named academic staff with verifiable titles and recent publications in journals like Current Biology.
Semantic Coherence is read from the heading hierarchy first: what each page announces in its H1 and headings, then whether the body actually delivers on it. Below is the structure the engine mapped, followed by the clean text to check for drift between promise and reality.
🏗️ Semantic Structure — heading hierarchy & page identity (the promise the page makes)
HOMEPAGE Home | Pitt Rivers Museum (https://prm.ox.ac.uk)
Home | Pitt Rivers Museum
NAV_HEADER_HEADING_REPEATED_BODY_FOOTER What's on | Pitt Rivers Museum (https://prm.ox.ac.uk/events/)
What's on | Pitt Rivers Museum
NAV_HEADER_HEADING_REPEATED_BODY_FOOTER Collections | Pitt Rivers Museum (https://prm.ox.ac.uk/collections/)
Collections | Pitt Rivers Museum
NAV_HEADER_HEADING_REPEATED_BODY_FOOTER Research | Pitt Rivers Museum (https://prm.ox.ac.uk/research/)
Research | Pitt Rivers Museum
📝 The Narrative — clean text per page (homepage promise vs. sub-page reality)
HOMEPAGE (https://prm.ox.ac.uk) Home | Pitt Rivers Museum
[IMG: pitt rivers 18 5 22 1 copy] [H3] Pitt Rivers Museum Free, no booking required. Booking is only required for group visits. Find more information about booking a visit here. Donate ahead of your visit [IMG: blue butterfly] Follow the Pitt Rivers Museum on Bluesky at pittriversmuseum.bsky.social Find out more [H3] Events over Bank Holiday and Half Term Join us for a range of activities over the Bank Holiday weekend and Half Term holidays. View the Multaka Oxford Artweeks Display: Living Textiles until Monday 25 May. Family Activity Corner each Saturday afternoon. Join us later in the half week on Wednesday and Thursday afternoon for Puppets and Performance. View the trail [H3] With these Hands Crafting a Shared Humanity Visit the new display on the first floor and gallery trail, With these Hands, co-produced with MultakaOxford and created by a multicultural team of volunteers who share an interest in the hand-crafted. Craft Workshops Find out more Craft Workshops [H3] Craft Workshops Sign up for one of our craft workshops and get creative! Take your pick from basketry, cordage, gold work embroidery, darning and many more! SPECIAL EXHIBITION - CLOSES 7 JUNE 2026 Journey through the Hawaiian landscape in this special exhibition, a unique collaboration showcasing the contemporary works of the Honolulu-based Poakalani Quilters, the innovative designs of the fashion icon Manaola Yap and the visionary planetary futurism of Solomon Enos. LAST FEW WEEKS Palestine: Pieces of Me Roots of My Homeland This online exhibition marks the longterm partnership between MultakaOxford and two organisations, Al Amari Women’s Program Centre and the Oxford Ramallah Friendship Association. View the online exhibition [H3] Become a Member and support the work of the Museum You'll enjoy our members events, opportunities to connect with the collections in new ways and discounts in the museum shop. Find out more Online Collections [IMG: newarcheology ethnography research visits] Online Collections [H3] Online Collections Browse the object and photograph collections online. Online Exhibitions [IMG: Double portrait of Kesang Ball in modern and traditional dress] Online Exhibitions [H3] Online Exhibitions Discover our past exhibitions through images and videos. Research [IMG: Objects in the] Research [H3] Research Find out about some of the exciting research projects going on behind the scenes. Radical Hope, Critical Change [IMG: Rainbow letters spelling Hope projected onto dark front of Museum of Natural History] Radical Hope, Critical Change [H3] Radical Hope, Critical Change Join us to reimagine museum practice. [IMG: Collection box of eight wooden anthropologists with glowing eyes] Please make a donation to support the work of the Museum Donate here
SUB-PAGE · THIN (https://prm.ox.ac.uk/events/) What's on | Pitt Rivers Museum
[IMG: pitt rivers museum by ian wallman] [H3] What's on [IMG: Hands holding a piece of black textile with golden embroidery] [H3] Become a Pitt Rivers Member Enjoy Museum events? Then why not consider becoming a Member? Membership starts from as little as £36 and gives you access to an exclusive programme of events, private views and lectures, as well as discounts in the Museum shop. Find out more
SUB-PAGE (https://prm.ox.ac.uk/collections/) Collections | Pitt Rivers Museum
[IMG: pitt rivers museum by john cairns 25 9 18 49] [H3] Collections On this page: Collections online | Areas of the collections | Changes to the collections | Human Remains | The Decolonisation Process | Committed to Change | The Benin Bronzes I Returns | Highlights | Using our collections | Conservation | Blogs | Policies | Contact us The Museum displays archaeological and ethnographic objects from all parts of the world. The General Pitt Rivers's founding gift contained more than 26,000 objects, but there are now over half a million. The extensive photographic and sound archives contain early records of great importance. Today the Museum is an active research and teaching department of the University of Oxford. It continues to expand its collections through donations, bequests and special purchases, as well as through students in the course of their fieldwork. [IMG: pitt rivers museum by john cairns 25 9 18 79] [H3] Online collections The online collections provide access to all the information held by the Museum about the objects and historic photographs in its collections. Discover the collections online Ethnography and archaeology [IMG: pitt rivers museum by john cairns 25 9 18 38] Ethnography and archaeology [H3] Ethnography and archaeology The Museum holds archaeological and ethnographic objects from all parts of the world. It was founded in 1884 when General Pitt Rivers, an influential figure in the development of archaeology and evolutionary anthropology, gave his collection to the University. Others were inspired by his gift, and the collections grew exponentially over the last century. Photographs, sound, film & archives [IMG: pitt rivers museum by john cairns 25 9 18 106] Photographs, sound, film & archives [H3] Photographs, sound, film & archives The Museum has collected photographs ever since its foundation. We hold important collections of 19th- and early 20th-century photography, and important fieldwork archives, such as the photographs of the traveller Wilfred Thesiger, whose collection alone numbers some 38,000 images. The Museum also holds important sound and film collections. Conservation [IMG: pittrivers powerstationstoragebyianwallman 5732 2 copy] Conservation [H3] Conservation Conservators at the Pitt Rivers use a variety of techniques to stabilise and preserve ethnographic objects, and slow down further deterioration. Their techniques include analysis of materials and historical research. These scientific approaches are coupled with an awareness of the sensitivities of originating communities. The Balfour Library [IMG: Man reading a book between library bookshelves] The Balfour Library [H3] The Balfour Library The Balfour Library is one of the UK’s leading museum research and teaching libraries for the study of anthropology, archaeology and world music. It holds around 20,000 books, 12,000 pamphlets and 300 journal titles. [IMG: imgpsh mobile save] Human Remains [IMG: l1170614] The decolonisation process [IMG: Maasai visitors to Pitt Rivers Museum. Photo by John Cairns.] Committed to Change [IMG: Bronze sculpture of head] New Kingdom of Benin display Returns Returns [H3] Returns Find out more about how we can help Rethinking Relationships Rethinking Relationships [H3] Rethinking Relationships Find out more about this project Axe, Papua New Guinea Axe, Papua New Guinea [H3] Axe, Papua New Guinea This stone axe is from the Wahgi valley, dating to the 1930s. Many isolated New Guinea peoples predominately used... This stone axe is from the Wahgi valley, dating to the 1930s. Many isolated New Guinea peoples predominately used stone technology until Australian colonists introduced steel tools... This stone axe is from the Wahgi valley, dating to the 1930s. Many isolated New Guinea peoples predominately used stone technology until Australian colonists introduced steel tools in the mid-20th century. This stone axe is from the Wahgi valley, dating to the 1930s. Many isolated New Guinea peoples predominately used stone technology until Australian colonists introduced steel tools in the mid-20th century. Axe head, USA Axe head, USA [H3] Axe head, USA This ground stone axehead is grooved around three sides for haft bindings. It is very old, probably from the Archaic... This ground stone axehead is grooved around three sides for haft bindings. It is very old, probably from the Archaic period (8,000BC to 1,000 BC). This ground stone axehead is grooved around three sides for haft bindings. It is very old, probably from the Archaic period (8,000BC to 1,000 BC). This ground stone axehead is grooved around three sides for haft bindings. It is very old, probably from the Archaic period (8,000BC to 1,000 BC). Caricature mask, Mexico Caricature mask, Mexico [H3] Caricature mask, Mexico This carved dance mask is a particular type in which foreigners are represented as caricatures in secular dance... This carved dance mask is a particular type in which foreigners are represented as caricatures in secular dance performances. This carved dance mask is a particular type in which foreigners are represented as caricatures in secular dance performances. This carved dance mask is a particular type in which foreigners are represented as caricatures in secular dance performances. Gold torc, Scotland Gold torc, Scotland [H3] Gold torc, Scotland This gold torc is part of the Law Farm Hoard found during spring ploughing in 1857 in Moray, Scotland. The hoard... This gold torc is part of the Law Farm Hoard found during spring ploughing in 1857 in Moray, Scotland. The hoard has been described as the ‘richest gold find from Bronze Age Scotland’... This gold torc is part of the Law Farm Hoard found during spring ploughing in 1857 in Moray, Scotland. The hoard has been described as the ‘richest gold find from Bronze Age Scotland’ and contained at least... This gold torc is part of the Law Farm Hoard found during spring ploughing in 1857 in Moray, Scotland. The hoard has been described as the ‘richest gold find from Bronze Age Scotland’ and contained at least 36 torcs. Glass bead with face, Cyprus Glass bead with face, Cyprus [H3] Glass bead with face, Cyprus This 2500-year-old cylindrical glass bead features a human face on both sides. Malangan, Papua New Guinea Malangan, Papua New Guinea [H3] Malangan, Papua New Guinea This malangan carving is a painted wooden ornament with a central face and matching fish designs at the ends with... This malangan carving is a painted wooden ornament with a central face and matching fish designs at the ends with green operculum shell eyes. This malangan carving is a painted wooden ornament with a central face and matching fish designs at the ends with green operculum shell eyes. This malangan carving is a painted wooden ornament with a central face and matching fish designs at the ends with green operculum shell eyes. Metate, Central America Metate, Central America [H3] Metate, Central America In Mesoamerica, women used metates (grinding stones) of volcanic rock for food preparation. Ox-scapula shovel, UK Ox-scapula shovel, UK [H3] Ox-scapula shovel, UK This shovel was discovered during excavations at the stone circle and earthworks in Avebury, Wiltshire in 1909,... This shovel was discovered during excavations at the stone circle and earthworks in Avebury, Wiltshire in 1909, and dates to between 2900 and 2600BC. This shovel was discovered during excavations at the stone circle and earthworks in Avebury, Wiltshire in 1909, and dates to between 2900 and 2600BC. This shovel was discovered during excavations at the stone circle and earthworks in Avebury, Wiltshire in 1909, and dates to between 2900 and 2600BC. Pottery lamp, Pakistan Pottery lamp, Pakistan [H3] Pottery lamp, Pakistan This pottery vessel was excavated from Nal in the Indus Valley (located in present day Pakistan) and dates to around... This pottery vessel was excavated from Nal in the Indus Valley (located in present day Pakistan) and dates to around 2500BC. The container is assumed to be an oil lamp, and the corners... This pottery vessel was excavated from Nal in the Indus Valley (located in present day Pakistan) and dates to around 2500BC. The container is assumed to be an oil lamp, and the corners would have supported wick... This pottery vessel was excavated from Nal in the Indus Valley (located in present day Pakistan) and dates to around 2500BC. The container is assumed to be an oil lamp, and the corners would have supported wicks. Roman shoe, Egypt Roman shoe, Egypt [H3] Roman shoe, Egypt This leather shoe and detachable sole were excavated in 1899 at Illatum, Egypt by the archaeologist William Matthew... This leather shoe and detachable sole were excavated in 1899 at Illatum, Egypt by the archaeologist William Matthew Flinders Petrie. It dates to the Roman occupation of Ancient Egypt... This leather shoe and detachable sole were excavated in 1899 at Illatum, Egypt by the archaeologist William Matthew Flinders Petrie. It dates to the Roman occupation of Ancient Egypt (30BC to 395AD). This leather shoe and detachable sole were excavated in 1899 at Illatum, Egypt by the archaeologist William Matthew Flinders Petrie. It dates to the Roman occupation of Ancient Egypt (30BC to 395AD). Textile fragment depicting hummingbirds, Peru Textile fragment depicting hummingbirds, Peru [H3] Textile fragment depicting hummingbirds, Peru This border looks like it was knitted as a 'free structure', but it is actually embroidered using a cross-knit... This border looks like it was knitted as a 'free structure', but it is actually embroidered using a cross-knit loop stitch, which closely resembles knitting. This border looks like it was knitted as a 'free structure', but it is actually embroidered using a cross-knit loop stitch, which closely resembles knitting. This border looks like it was knitted as a 'free structure', but it is actually embroidered using a cross-knit loop stitch, which closely resembles knitting. USB stick, UK USB stick, UK [H3] USB stick, UK Archaeological objects can provide a snapshot of individual lives and cultural practices at a point in time, and... Archaeological objects can provide a snapshot of individual lives and cultural practices at a point in time, and we are actively creating that archaeology all the time. Archaeological objects can provide a snapshot of individual lives and cultural practices at a point in time, and we are actively creating that archaeology all the time. Archaeological objects can provide a snapshot of individual lives and cultural practices at a point in time, and we are actively creating that archaeology all the time. [IMG: A resercher viewing an object (detail)] [H3] Our services The Museum has a number of facilities to support research visits. Our staff are on hand to support requests, including the documenting and digitising of fieldwork collections. We support more than 600 research visits every year. We will do everything we can to provide access, and apologize if we cannot accomodate your request due to limitations on staff time or the fragility of items requested. Discover Our Services [IMG: Detail of the neck of shirt (1893.67.5) before conservation] The work of conservators underpins every aspect of Museum activity, and their understanding of the diverse materials from which ethnographic artefacts are made is vital. As well as conserving artefacts, they advise on the control of the Museum's environment, prevent insect attacks without deploying dangerous pesticides, and oversee the safe packing of artefacts for international loan or safe storage. The case studies on this page document the work of the conservators responsible for safeguarding the 300,000 artefacts in the Museum's collections. Discover Conservation [IMG: sheila paine] Discover Our Blogs Care and conservation policy (PDF) Collections development policy (PDF) Loan condition policy (Word) For ethnography and archaeology collections enquiries: objects.colls@prm.ox.ac.uk For photograph and manuscript collections enquiries: ms-photo.colls@prm.ox.ac.uk
SUB-PAGE (https://prm.ox.ac.uk/research/) Research | Pitt Rivers Museum
[IMG: Maasai visitors to Pitt Rivers Museum. Photo by John Cairns.] [H3] Research On this page: Research staff | Research community | Research projects | Research partnerships | Featured publications | Public engagement with research | Research videos If you would like to use the Museum's collections in your own research, please see using our collections. [IMG: Logo of those shortlisted for the Vice-Chancellor] Our research team was shortlisted in the Research Culture category at the Vice-Chancellor's Awards 2024 The Pitt Rivers Museum is a renowned centre for research on material culture, art and photography. With strong historical links to the teaching of anthropology and archaeology in the University of Oxford, the Museum today seeks to bring together researchers from a variety of disciplines to explore critical themes that connect people all over the world to its rich collections and the histories they hold. Making the Museum Find out more Making the Museum [H3] Making the Museum Investigating maker/subject identities and agencies Digital repatriation of the Gaidinliu collection Find out more Digital repatriation of the Gaidinliu collection [H3] Digital repatriation of the Gaidinliu collection Rethinking, reframing, and challenging a Naga collection with local partners Find out more [H3] Meeting the challenges of the Ivory Act move to carousel movement controls Prof Paul Basu Prof Paul Basu [H3] Prof Paul Basu Curator Professor of Anthropology Dr Timothy Baxter Dr Timothy Baxter [H3] Dr Timothy Baxter Research Fellow in Biocultural Heritage Dr Ashley Coutu Dr Ashley Coutu [H3] Dr Ashley Coutu Acting Head of Curatorial, Research and Teaching Senior Research Curator Rosa Dyer Rosa Dyer [H3] Rosa Dyer AHRC CDP Doctoral researcher Prof Clare Harris Prof Clare Harris [H3] Prof Clare Harris Curator for Asia Head of the School of Anthropology and Museum Ethnography (October 2024 - October 2027) Prof Dan Hicks Prof Dan Hicks [H3] Prof Dan Hicks Curator of World Archaeology Professor of Contemporary Archaeology Dr Brinn Hodgett Dr Brinn Hodgett [H3] Dr Brinn Hodgett (Former) Project Researcher Hadiqa Khan Hadiqa Khan [H3] Hadiqa Khan AHRC CDP Doctoral researcher Dr Becky Martin Dr Becky Martin [H3] Dr Becky Martin Project Researcher Prof Christopher Morton Prof Christopher Morton [H3] Prof Christopher Morton Acting Director Professor of Museum Anthropology Dr Emily Stevenson Dr Emily Stevenson [H3] Dr Emily Stevenson Leverhulme Early Career Fellow Junior Research Fellow, Linacre College Dr Marenka Thompson-Odlum Dr Marenka Thompson-Odlum [H3] Dr Marenka Thompson-Odlum Research Curator (Critical Perspectives) [IMG: pause this content] Pause slideshow move to carousel content Dr Roba AlSalibi Dr Roba AlSalibi [H3] Dr Roba AlSalibi Associate Researcher Dr Brook Andrew Dr Brook Andrew [H3] Dr Brook Andrew Artist Honorary Research Associate Dr Joshua A. Bell Dr Joshua A. Bell [H3] Dr Joshua A. Bell National Museum of Natural History, USA Honorary Research Associate Prof Paul Betts Prof Paul Betts [H3] Prof Paul Betts Faculty of History, Oxford Honorary Research Associate Prof Alison K. Brown Prof Alison K. Brown [H3] Prof Alison K. Brown Personal Chair in Social Anthropology & Honorary Curatorial Fellow, University of Aberdeen Honorary Research Associate Raksha Dave Raksha Dave [H3] Raksha Dave Archaeologist and broadcaster Honorary Research Associate Prof Chris Dorsett Prof Chris Dorsett [H3] Prof Chris Dorsett Artist Associate Researcher Prof Elizabeth Edwards FBA Prof Elizabeth Edwards FBA [H3] Prof Elizabeth Edwards FBA Curator Emerita Honorary Research Associate Dr Elizabeth Ewart Dr Elizabeth Ewart [H3] Dr Elizabeth Ewart Associate Professor in the Anthropology of Lowland South America Honorary Research Associate Prof Anthony Gardner Prof Anthony Gardner [H3] Prof Anthony Gardner Ruskin School of Art, Oxford Honorary Research Associate Prof Chris Gosden FBA Prof Chris Gosden FBA [H3] Prof Chris Gosden FBA Professor of European Archaeology, Oxford Honorary Research Associate Prof Elizabeth Hallam Prof Elizabeth Hallam [H3] Prof Elizabeth Hallam Research Associate in the School of Anthropology and Museum Ethnography, Oxford Honorary Research Associate Prof Margaret Hillenbrand Prof Margaret Hillenbrand [H3] Prof Margaret Hillenbrand Associate Professor of Modern Chinese Literature and Culture, Faculty of Oriental Studies, Oxford Honorary Research Associate Dr Gwyneira Isaac Dr Gwyneira Isaac [H3] Dr Gwyneira Isaac Curator of North American Ethnology, National Museum of Natural History, USA Honorary Research Associate Prof Geraldine Johnson Prof Geraldine Johnson [H3] Prof Geraldine Johnson Associate Professor in History of Art & Fellow of Christ Church, Oxford Honorary Research Associate Dr Laurel Kendall Dr Laurel Kendall [H3] Dr Laurel Kendall Curator, Asian Ethnographic Collections, American Museum of Natural History, USA Honorary Research Associate Prof Corinne Kratz Prof Corinne Kratz [H3] Prof Corinne Kratz Professor Emerita of Anthropology and African Studies, Emory University, USA Honorary Research Associate Prof Morten Kringelbach Prof Morten Kringelbach [H3] Prof Morten Kringelbach Associate Professor and Senior Research Fellow, Department of Psychiatry, Oxford Honorary Research Associate Patti Langton Patti Langton [H3] Patti Langton Wolfson College, Oxford Associate Researcher Prof Robert Iliffe Prof Robert Iliffe [H3] Prof Robert Iliffe Professor of the History of Science, Oxford Honorary Research Associate Dr Noel Lobley Dr Noel Lobley [H3] Dr Noel Lobley Music Dept, University of Virginia, USA Associate Researcher Dr Chris Low Dr Chris Low [H3] Dr Chris Low Khwa ttu San Culture and Education Centre, South Africa Associate Researcher Prof Jane Lydon Prof Jane Lydon [H3] Prof Jane Lydon Chair of Australian History, University of Western Australia Honorary Research Associate Prof Sharon Macdonald Prof Sharon Macdonald [H3] Prof Sharon Macdonald Professor of Social Anthropology in the Institute of European Ethnology, Humboldt-Universität zu Berlin Honorary Research Associate Prof Wayne Modest Prof Wayne Modest [H3] Prof Wayne Modest Professor of Material Culture and Critical Heritage Studies, Vrije Universiteit Amsterdam Honorary Research Associate Prof Howard Morphy Prof Howard Morphy [H3] Prof Howard Morphy Curator Emeritus & Australian National University Honorary Research Associate Dr Hélène Neveu Kringelbach Dr Hélène Neveu Kringelbach [H3] Dr Hélène Neveu Kringelbach Senior Lecturer in African Studies, University College London (UCL) Associate Researcher Dr Vibe Nielsen Dr Vibe Nielsen [H3] Dr Vibe Nielsen Associate Researcher Research Fellow, Linacre College Dr David Odo Dr David Odo [H3] Dr David Odo Director, Georgia Museum of Art Honorary Research Associate Prof Michael O’Hanlon Prof Michael O’Hanlon [H3] Prof Michael O’Hanlon Curator Emeritus Honorary Research Associate Prof Laura Peers Prof Laura Peers [H3] Prof Laura Peers Curator Emerita for the Americas Collections Honorary Research Associate Prof Chris Pinney Prof Chris Pinney [H3] Prof Chris Pinney Professor of Anthropology and Visual Culture at University College London Honorary Research Associate Dr David Pratten Dr David Pratten [H3] Dr David Pratten School of Anthropology, Oxford Honorary Research Associate Prof Gillian Rose Prof Gillian Rose [H3] Prof Gillian Rose Professor of Human Geography, Oxford Honorary Research Associate Dr Anna Sephton Dr Anna Sephton [H3] Dr Anna Sephton Associate Researcher Dr Sydney Stewart Rose Dr Sydney Stewart Rose [H3] Dr Sydney Stewart Rose Director of Public Memory Research, Montag Centre for Overseas Study, Stanford University Dr Christian Thompson AO Dr Christian Thompson AO [H3] Dr Christian Thompson AO Honorary Research Associate Dr Jaanika Vider Dr Jaanika Vider [H3] Dr Jaanika Vider Associate Researcher Lecturer in anthropology (Tallinn University) Prof Dame Sarah Whatmore Prof Dame Sarah Whatmore [H3] Prof Dame Sarah Whatmore Professor of Environment and Public Policy Honorary Research Associate Prof David Zeitlyn Prof David Zeitlyn [H3] Prof David Zeitlyn Professor of Social Anthropology (Research) Honorary Research Associate [IMG: Maasai community members visiting PRM in 2019] Read more [H3] Rethinking Relationships and Building Trust Around African Collections [IMG: Group of ceremonially dressed Angami Nagas of Khonoma and Mozemi] Read more [H3] Recirculating sound recordings in NE India A collaboration with the Archives and Research Center for Ethnomusicology (ARCE), and the Highland Institute in Kohima Borneo boat lute revival Find out more Borneo boat lute revival [H3] Borneo boat lute revival Megalithic Connections: Imperilled Cultural Heritage in Laos and India Find out more Megalithic Connections: Imperilled Cultural Heritage in Laos and India [H3] Megalithic Connections: Imperilled Cultural Heritage in Laos and India move to carousel movement controls [IMG: cover of The Anthropological Lens by C.Morton] More info [H3] Christopher Morton The Anthropological Lens: Rethinking E. E. Evans-Pritchard (OUP 2019) [IMG: Elephant ivory cargo in the storeroom of the Oranjemund mine. Photo by: Shadreck Chirikure] Read more [H3] Ashley Coutu "Sourcing Elephant Ivory from a Sixteenth-Century Portuguese Shipwreck", Current Biology, Volume 31, Issue 3, pp621-628 (2020). Clare Harris [IMG: harris photo tibet] More here Clare Harris [H3] Clare Harris Photography and Tibet. London: Reaktion Books, 2016. [IMG: Cover of The Brutish Museums by Dan Hicks] [H3] Dan Hicks The Brutish Museums: the Benin Bronzes, Colonial Violence and Cultural Restitution (Pluto Press 2020) Jeremy Uden [IMG: refash redress] More here Jeremy Uden [H3] Jeremy Uden 'The Conservation and Display of the Tahitian Mourner’s Costume at the Pitt Rivers Museum, University of Oxford' in M.M. Brooks and D.D. Eastop (eds.) Refashioning and Redress: Conserving and Displaying Dress. Los Angeles: Getty Conservation Institute, 2017. [IMG: Cover image of the book Museums, Societies and the Creation of Value] [H3] Christopher Morton Rephotography as a value creation technology in the nineteenth century: collecting, reproducing and exchanging Laura Van Broekhoven [IMG: dethroning historical reputations] Read here Laura Van Broekhoven [H3] Laura Van Broekhoven 'Calibrating relevance at the Pitt Rivers Museum', in J. Pellew and L. Goldman (eds.) Dethroning historical reputations: universities, museums and the commemoration of benefactors. London: University of London, Institute of Historical Research, 2018. (PDF) Dan Hicks [IMG: harvesters bruegel] Read here Dan Hicks [H3] Dan Hicks ‘The temporality of the landscape revisited’, Norwegian Archaeological Review, 49: 5-39, 2016. Christopher Morton [IMG: 1998_547_2] Read here Christopher Morton [H3] Christopher Morton ‘The graphicalization of description: drawing and photography in the fieldwork journals and museum work of Henry Balfour’, Anthropology and Photography, Vol. 10 (London: Royal Anthropological Institute). (PDF) [IMG: pause this content] Pause slideshow move to carousel content [IMG: messy realities] Find out about
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